IJITMS Volume. 16 Issue – 2

SUFFERING AND SELF-ASSERTION: BLACK WOMANHOOD IN BUCHI EMECHETA’S DOUBLE YOKE AND KEHINDE

DIASPORIC MEMORY AND THE POLITICS OF REPRESENTATION IN AZAR NAFISI’S READING LOLITA IN TEHRAN

Narrative, Resistance, and Ecological Justice in Arundhati Roy’s Writings

QUIET AGENCY AND DISAPPEARING SELVES IN ANITA DESAI’S THE ARTIST OF DISAPPEARANCE

EMPIRE, ECOCIDE, AND RESOURCE EXTRACTION IN AMITAV GHOSH’S THE GLASS PALACE

READING TO SPEAK: INTEGRATING READING AND SPEAKING SKILLS FOR ESL LEARNERS

BIRTH, BELONGING, AND BICULTURAL SELFHOOD IN CHITRA BANERJEE DIVAKARUNI’S OLEANDER GIRL

LAND, WOMAN, AND CULTURAL SURVIVAL: AN ECOFEMINIST READING OF KAVERY NAMBISAN’S THE SCENT OF PEPPER

MEMORY, GUILT, AND SELF-INTERROGATION IN KAZUO ISHIGURO’S AN ARTIST OF THE FLOATING WORLD

LAND, MEMORY, AND DIASPORIC BELONGING IN UMA PARAMESWARAN’S “THIS LAND WHEREON I STAND

FEMININE ECOLOGY AND THE ETHICS OF BALANCE IN AMITAV GHOSH’S JUNGLE NAMA

LANGUAGE, MYTH, AND WORLD-MAKING IN J. R. R. TOLKIEN’S SELECTED WORKS